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36 Lemony Snicket’s A Series of Unfortunate Events (2004) I’ve never been able to quite understand why A Series of Unfortunate Events didn’t explode in

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Oh 108 MinRelease16 Dec 2004LanguageEnglishBudget$ ___Antoinette last Queen of France ___ Musk SpaceX founder Another word for a pig Count ___ (Lemony Snicket's A Series of Unfortunate Events villain) Daily Themed Mini Crossword January 12 2020 Answers Dracula's sharp tooth Easter find El ___ (warm ocean current) Little Broken Hearts singer Jones Period of sleep with dreaming: Abbr. Weasley of ^{A Series of Unfortunate Events is the collective volume of thirteen books written by Lemony Snicket, which is a pen name for Daniel Handler. The series follows the unfortunate lives of the three extremely unlucky Baudelaire orphans, Violet, Klaus, and Sunny, trying to get by in their difficult lives and survive the pursuit of their nemesis Count Olaf and his various associates who attempt to steal their inherited fortune. The books were published between 1999-2006 by HarperCollins in North America and by Egmont in the United Kingdom. The main thirteen books in the series have collectively sold more than 60 million copies and have been translated into 41 languages. The books have been adapted in various ways, including audiobooks, a video game, a film, and a TV series, among others. The books also apparently exist within the universe of the series as well. According to Lemony Snicket The Unauthorized Autobiography, the books were on a banned list of books at Prufrock Preparatory School. Considering how The Unauthorized Autobiography was published in May 2002, this implies only the first eight books were available around the time of its fictional banning, although the books have been banned in some locations in reality as well see controversy. Genre[] The main thirteen books in A Series of Unfortunate Events. “ Dear Reader, If you have just picked up this book, then it is not too late to put it back down. Like the previous books in A Series of Unfortunate Events, there is nothing to be found in these pages but misery, despair, and discomfort, and you still have time to choose something else to read. ” — Lemony Snicket, The Ersatz Elevator Although A Series of Unfortunate Events is most commonly classified as "children's" fiction, but it has also been classified as teen/young adult and having a quality that older adults can enjoy, similar to the Harry Potter series. There is a level of complexity in the series, such as the relations between characters and how it is all connected, which can be sometimes hard to understand. A Series of Unfortunate Events could be seen as a parody of children's literature or pseudo-children's literature. For example, there is a lot of mature content and characters dying in horrible ways. These include People dying in fires, being poisoned, drowned in a swamp, being eaten by leeches, almost being buzz sawed to death or gored by lions, and Lemony Snicket is the type of who uses complicated language that many people wouldn't know, such as "augmented", "furtive", "rivulets", "verdant", "accoutrement", etc. In addition, the child protagonists of the series are often portrayed as being intelligent and more mature and "adult-ish" than many of the actual adults in the series. Some of the humor in the series may also be lost on less knowledgeable audiences; for example, in the TV series, Monty asks Stephano where he studied herpetology, and Stephano replies that he does not know anything about sores, which is a joke about herpes. It may be considered mystery due to many mysterious themes and elements surrounding Some have classified it into specific genres such as gothic fiction, or some variety thereof, whether it is mock-gothic, a satire of gothic literature, neo-Victorian or "suburban gothic". There are also some slight steampunk elements. Another genre that the series has been described as is absurdist fiction, because of its strange characters, improbable storylines, and black comedy due to the morbid nature of the series. Others have classified this as surrealistic fiction because of the fact that the events in the books could happen to unlucky people, even if it doesn't seem like it. The books often have a wonky and creepy existentialist vibe to them, exemplified by all the strangeness and oddities the Baudelaires encounter, giving them a surreal, unsettling, alien or otherworldly vibe. This can make the series feel like a strange dream or nightmare. Some have categorized the series as "horror" and "suspense", due to the amount of suspense, danger, death, violence, dread and tension in some of them. Characterized by Victorian Gothic tones and absurdist textuality, the books are noted for their whimsical dark humor, sarcastic storytelling, and anachronistic elements, as well as frequent cultural and literary allusions. They have been classified as postmodern and meta-fictional writing, with the plot evolution throughout the later novels being cited as an exploration of the psychological process of transition from the idyllic innocence of childhood to the moral complexity of maturity. Plot[] Setting[] The Baudelaires in the city. A Series of Unfortunate Events is set in an unusual, anachronistic time period that is ambiguously set sometime in the 20th century, with old and new inventions used. A variety of inventions and technology are mentioned. For example, there are helicopters, cars, phones, a microphone, and an advanced school computer in the TV series, the computer looks like a computer from the 1990s and early 2000s. At another point, typewriters, telegrams, and carriages pulled by horses appear. This paints a very changing landscape of an industrial time, with technology not yet homogenized in all places in the series. In addition, the Baudelaire children are illustrated wearing very Victorian-era clothing. This aspect is made even more absurd in the TV series, as Count Olaf mentions he bought an hourglass "online" implying the Internet and he prefers "streaming television in the comfort of his own home", a reference to Netflix. In The Miserable Mill Part One, Pink Floyd – The Wall is mentioned, suggesting the series is not set before 1982. The cars that some characters drive is also confusing as well. At the end of book 1, Mr. Poe is seen driving a car that looks like a 1910 Royal Model, while Count Olaf drives a car resembling one from the 1980s. The location is the series is unknown; three of the books 1, 6, end of 11, 12 are set in an unspecified urban city. The Baudelaires visit a myriad of locations, such as a lakeside town, a boarding school, hinterlands, mountains, etc. The 2004 film, however, is an exception. During a courtroom scene where a judge grants Count Olaf custody of the orphans, an American flag is present. In the finale, a letter addressed to the Baudelaires mentions the city is Boston, Massachusetts, meaning the Baudelaires are American in at least this continuity. The ambiguity of both the time and the setting are likely intentional decisions by Daniel Handler, who when asked, said, "A Series of Unfortunate Events takes place in the city and regions surrounding it, during the week and sometimes on weekends. All The Wrong Questions takes place earlier, in a smaller town." A Series of Unfortunate Events is also depicted as being full of diverse and multicultural mentions, from its locations, food, language and people. For example, Peru is mentioned in the second book, a Vietnamese restaurant is mentioned in the sixth, Hector may be of Hispanic descent as he cooks Mexican food in book seven, there is an Indian restaurant in book twelve, etc. Charles and Sir in book four are heavily implied to be a gay couple. There are mentions of rabbis throughout the series and different religions, traditions and culture. Handler also wanted a more ethnically diverse cast in the TV series. Premise[] The Baudelaires feeling terrible and missing their parents very much. The series focused on Violet, Klaus, and Sunny Baudelaire. Violet has a talent for inventing, Klaus has a talent for reading, and Sunny has a talent for biting though she is later shown to have a talent for cooking. While they are portrayed very intelligent children, they are not perfect "superhumans" and have their own flaws. For example, Violet can overlook the obvious and doesn't know what leeches are, Klaus can be rude and doesn't know what a "xenophobe" means, etc. Sunny could be considered a superhuman to a degree, as she is a baby who has a sword fight with her teeth in the fourth book and climbs up an elevator shaft with her teeth in the sixth. They may also be interpreted as a tiny bit spoiled, as they later complain about doing chores for Count Olaf, although he did force them to do so and treated them like slaves. They become extremely unfortunate, unlucky and depressed children after their parents perish in a fire that destroys their entire home, going on to live lives full of sadness, stress, misfortune, misery, and woe. The Baudelaires are soon brought to their claimed third cousin four times removed, the treacherous actor Count Olaf. However, the Baudelaires soon discover that Olaf is an abusive adoptive father and is after their inherited fortune which Violet will obtain when she turns 18. In addition, Olaf claims that once he finds a way to obtain their fortune, he won't hesitate to kill all three of them. The first 7 books follow the same plot line, where the Baudelaires are sent to a new home with a new guardian. However, at the end of book 7, the series reaches a turning point, as the children are framed for murder, and the last 6 books is about them on the run from the police as well from Count Olaf. Lemony Snicket 12 Books in 120 Seconds 12 books in 120 seconds. The main thirteen books of the series describe the treacheries that the children face through their young lives while trying to prevent Olaf and his many associates' attempts on getting his hands on the Baudelaire fortune while trying to avoid death along the way while at the mercy of the world. Meanwhile, the Baudelaires must deal with absurd situations, a secret society known as and gullible and incompetent adults, many of which refuse to believe the Baudelaires and are unable to see through Olaf's disguises. Dystopic elements[] A mob of residents prepared to burn rulebreakers at the stake. The world in the series often feels dystopic, hostile, corrupt, chaotic and cruel, leading many readers to call it a "crapsack world". However, it is set in a conventional setting without any war, famine, etc where the Baudelaires live, at least. Most of the dystopic elements are often found in sociology, human behavior and often barbaric and nonsensical laws which humanity follows obediently and submissively, and the vast majority of people lack critical thinking skills. For example In Book One, when Olaf attempts to marry Violet with an official marriage certificate, Justice Strauss reluctantly accepts it and says, "I'm afraid this dreadful nonsense is the law" despite that it was a scheme in a play and Violet was forced to sign under duress or else her baby sister would be killed. In Book Four, a 14-year-old, a 12-year-old, and a baby are forced to work at a dangerous lumbermill, making one wonder how this is legal, as the oldest Violet isn't even of age to work. One may also wonder if child protective services and child labor laws exist in the world of the series. In Book Four, a lumbermill illegally pays its employees with chewing gum and coupons. It is revealed in the TV series the employers are under hypnosis to accept this, and the entire mill is slave labor through mind control. However, in the book series strictly, it would make wonder why the employees continue to work in a terrible place and simply not leave as they are not being paid money. In Book Five, a baby is forced to become a school secretary because she is too young to attend a normal school, and while some members of the administration staff think this is absurd, they do not challenge Vice Principal Nero. This is very confusing as Sunny is not even able to perform half of the things a secretary could actually do such as stapling, picking up the telephone, etc. Along with this there are many other confusing things as well Students are also forced to listen to Nero play the violin horridly for 6 hours each night. If they fail to listen to his recital, they are forced to give Nero a bag of candy. If students go to the administration building without an appointment they can't use silverware at meals. Other punishments include having their beverages served in large puddles, having their hands tied behind their backs, and eating their food as a dog. One might wonder if these punishments are even legal considering how the surface of tables would contaminate the food and drink with grime. In Book Six, many people are interested in what's "in" and "out" fashion that it is often prioritized over functionality, and the Baudelaires can't use an elevator because elevators are "out", forcing them to walk up and down many flights of stories, although they later discover that sliding down the railing is faster. In Book Seven, there is a village that burns people to death if they don't follow its thousands of ridiculous and contradictory rules. They also advocate book burning. The majority of villagers are fine with this, and those who aren't like Hector are cowardly, complacent and unwilling to try to change anything. In Book Seven, the world of the series is apparently so terrible that Hector intends to build a mobile home to last over a hundred years where he will spend the rest of his life away from human society, except for the Baudelaires and Quagmires. Violet about to get her head cut off against her will. In Book Eight, Heimlich Hospital is a hospital which, in the world of the series, naturally plays on real fears such as inadequate healthcare and medical malpractice. In Book Eight, an audience gathers to see a girl getting her head cut off in hopes of curing mental illness. No one audibly questions the practice or asks if the girl even consented to it. In Book Nine, when Violet attempts to use a phone to call for help during their emergency about how she and her siblings are lost, stranded in the hinterlands with no money and unsure what to do, and how they've been framed as murderers, the operator hangs up on her. In Book Nine, people gather at a carnival for the sole purpose of seeing someone being mauled to death by lions. Later when the carnival is set on fire, one man says "I enjoy it when other people are in danger, not me!". In Book Nine at the lion show, someone questions if the show is even legal, however she is told to shut up and wait in the car by her husband if she has any more "ridiculous" questions. In Book Nine, when Count Olaf claims that whoever pushes someone into the pit will win a special prize, the audience fights among itself to push someone in. A newspaper seen throughout the series, called The Daily Punctilio, is full of errors, inaccuracies, exaggerations, and distorts the truth. The tabloid begins smearing and defaming the Baudelaires with lies. The series in a nutshell. Many of the adults in the series often come across as severely flawed, such as being stupid, corrupt, selfish, greedy, incompetent, ignorant, delusional, psychopathic, lack common sense, overly pedantic, cannot make exceptions, follow rules too easily, vulnerable to peer pressure and follow mob/herd mentality, etc. The Council of Elders is a strong example of this. In The Vile Village, the Baudelaires attempt to use "mob psychology" by shouting in a crowd, suggesting that humanity in the series is incapable of free independent thought. Even if an adult is kind-hearted, they often have some other trait which negatively impacts the Baudelaires and endangers their lives, such as Josephine Anwhistle being cowardly. If an adult in the series is on the more kind and sensible side, such as Uncle Monty, they are usually doomed and will probably die over the course of the series, or their death is implied. It is unknown if the adults seen in the series are intended to be "normal" or "average" in the world, or if the Baudelaires are simply unlucky when it comes to meeting decent people, as Lemony Snicket calls them magnets for misfortune. The dismal psychology of humanity in the series even extends to children, such as a girl named Carmelita Spats whom Lemony Snicket calls rude and filthy, as well as the students who bully the Baudelaires at school. After The Vile Village, the Baudelaires' living situation changes drastically, essentially become homeless with an uncertain living situation as they seek food, shelter, and jobs wherever possible in order to survive. Development[] The author of the series, Daniel Handler who uses the pseudonym Lemony Snicket, has said in an interview with The Club that he decided to write a children's story when he was trying to find a publisher for his first novel, The Basic Eight. One of the publishers, HarperCollins, passed on The Basic Eight, but they were interested in him writing a story for children. Handler thought it was a terrible idea at first, but met with the publishers to discuss the book. They challenged him to write the book he wished he could have read when he was 10.[1] He retooled a manuscript he had for a mock-Gothic book for adults,[2] which became "the story of children growing through all these terrible things", a concept which the publishers liked, to Handler's surprise.[1] When asked what inspired him to write the series, Handler said, "I thought it would be interesting if terrible things happened to three helpless children over and over again."[3] Handler was not heavily focused on a moral message while writing the series, although he was forced to think about this aspect at times. Instead, he preferred to focus on the actual events of the plot instead of trying to craft the story around a moral message which could seem shoehorned and forced.[4] Handler was inspired by authors like Roald Dahl, Edward Gorey and Zilpha Keatley Snyder, who wrote books about creepy but nonsupernatural circumstances. He did not want to write a book about people casting spells or finding three rings to defeat a dragon. His original contract was four books, so if his series was not successful, it would have stopped at The Miserable Mill, although support eventually got him to write the full series.[5] Mature content[] The Snicket Emergency "The Snicket Emergency" Despite that A Series of Unfortunate Events is often categorized as a "children's book series", there is a lot of questionable, disturbing, distressing, violent, and mature content in the series. Lemony Snicket warns the reader on each book cover that the Baudelaires' lives are unpleasant - there is no happy beginning, no happy end, and very few happy things occur throughout the series. Daniel Handler admits that he wrote the series because he was sick of how "sappy", "dumbed down" and "optimistic" children's books are, as they tend to always have happy endings, be overtly cheerful and uplifting, and give unrealistic expectations. Handler was inspired to write the series after watching news stories on TV about the lives of unfortunate children around the world. In Lemony Snicket The Unauthorized Autobiography, Lemony Snicket parodied a non-real series called The Luckiest Kids in the World! where three children are treated to a fun party, a big prize, a pony ride, several kind and sensible adults, and all the cake they can eat. The Littlest Elf is also a parody of these themes. In The Carnivorous Carnival, Lemony Snicket mentions a story called "The Story of Queen Debbie and Her Boyfriend, Tony" “ The story of the Baudelaires does not take place in a fictional land where lollipops grow on trees and singing mice do all of the chores. The story of the Baudelaires takes place in a very real world, where some people are laughed at just because they have something wrong with them, and where children can find themselves all alone in the world, struggling to understand the sinister mystery that surrounds them. ” — Lemony Snicket, The Carnivorous Carnival Although there is no official minimum age rating on the series, recommendations are often 8/9/10+.[6] There are parents who read the series to their children as young as 6, which others argue is too young. Individual children have different levels of maturity. Throughout the series, the children encounter abuse child abuse, death, murder, people dying in horrible ways, violence, arson, horror, suffering, loss, pain, grief, misery and despair in a series of unfortunate events. The books also contain slight suggestive themes, mainly in Count Olaf's attempt to marry a 14-year-old Violet. Examples of mature content include spoilers Sunny trapped in a bird cage. In The Bad Beginning, the Baudelaire parents supposedly burn to death in a fire. Child abuse is shown in Klaus being slapped across the face, and Sunny's mouth being duct-taped, having her body tied with rope and hung in a birdcage which Olaf threatens to drop. The book ends with Olaf telling Violet he intends to kill her and her siblings with his own two hands. There are also suggestive lines When Count Olaf proposes his marriage play, there is this line "Violet imagined sleeping beside Count Olaf, and waking up each morning to look at this terrible man." When Violet signs the marriage certificate, Count Olaf says, "Now, if all of you will excuse me, my bride and I need to go home for our wedding night." When Violet reveals she signed the document with her left hand, Count Olaf says to Violet, "You may not be my wife, but you are still my daughter, and-" In the film adaptation of The Bad Beginning, Count Olaf attempts to murder the Baudelaires by trapping them inside a car on train tracks. In The Reptile Room, Uncle Monty is poisoned to death. When Stephano attempts to kidnap the Baudelaires, he orders them to "get in the damn Jeep", and when the car doesn't run, he screams, "BLASTED FURNACES OF HELL!" It is also mentioned that during dinner, under the table, Stephano rubs the blade of his knife against Violet's knee during their entire meal, as a way to psychologically terrify her. The TV series adaptation even has a distressing close-up shot of Uncle Monty's dead body. In The Wide Window, the watcher/reader is led to believe that Aunt Josephine jumped to her death and drowned herself in a lake, with a suicide note about how she finds life unbearable. Although she survives that, Aunt Josephine is heavily implied to have drowned or eaten by leeches anyway. Georgina Orwell about to throw Sunny into a furnace. In The Miserable Mill, Charles is almost sawed to death, while Dr. Georgina Orwell actually is, and it is mentioned that later, the Baudelaires were still shuddering how she met her demise. In the TV adaptation, Sunny is almost thrown into a furnace, while Dr. Georgina Orwell actually burns to death in the furnace. In The Vile Village, both Jacques Snicket Count Omar and the Baudelaires are almost burned to death at the stake. Jacques ends up being killed anyway; in the books, the details of his death are unclear, but the TV series reveals he was physically beaten with a crowbar. In the TV series, suicide imagery is also seen with a noose in a jail cell. The noose is the reason why it is called a "deluxe" cell. In The Hostile Hospital, Violet almost gets her head cut off, and much of the book involves Klaus and Sunny worrying about their sister being decapitated and murdered. In the TV series, the book is adapted like a horror movie, and has a scene in which the viewer is unsure if Olaf will torture Violet, as he even activates an electrical surgical instrument in her presence. The hospital is set on fire, and there is no reason to believe everyone such as all the patients survived, especially the Henchperson of Indeterminate Gender who disappears after. In The Carnivorous Carnival, there is a pit of lions which maul two victims to death. The starving lions, who have been whipped so hard that their bodies have scars, perish in a fire. In The Grim Grotto, there are disturbing and terrifying descriptions of Sunny almost suffocating to death. In The Penultimate Peril, Dewey Denouement bleeds to death after a harpoon gun gores him in the stomach, and then proceeds to drown in a pond. Later, there is a hotel fire which probably killed many residents. The book ends with the implication that there are hundreds of people either burning to death or about to be burned to death. In The End, there are implications of an entire island being poisoned to death. The book also ends in quite a dark way, with the Baudelaires burying the bodies of Kit Snicket and Count Olaf. The series ends with the ambiguous possibility that the Baudelaires died after leaving the island. Reception[] Praise[] The Baudelaire orphans have become cultural icons of unfortunate children. Reviews for A Series of Unfortunate Events have been generally positive, with reviewers saying that the series is enjoyable for children and adults alike, and that it brings fresh, mature and adult themes to children's stories. The books sold 60 million copies and were translated into 41 languages. They were also shared and taught in certain classrooms and were purchasable at Scholastic book fairs. The series became a literary cultural phenomenon of sorts in youth literature in the early 2000s, and was considered to be an unofficial competitor with the Harry Potter series. The series' boom would eventually be followed with series such as Eragon, Twilight, and The Hunger Games in the same decade. Adding to the phenomenon to the success of the series were mysteries such as the anonymity of Lemony Snicket, due to his identity as Daniel Handler being unknown to the vast majority of people at the time, as well as the uncertain ultimate fate of the Baudelaires, leading to mass speculation and theorizing. Fans also had much hype towards the releases of The Grim Grotto, The Penultimate Peril and The End which had longer gaps in their release dates and these books would answer many plot threads. The popularity of the series was referenced in a 2005 episode of The Simpsons called "The Bonfire of the Manatees" and later in a 2006 episode of Arthur called "Fern and Persimmony Glitchet", showing how A Series of Unfortunate Events captivated both adult and child audiences. Although the first few books were criticized and notorious due to their controversial aspects, they gradually gained a cult following over the years as the series continued, leading to the 2004 feature film being produced only a few years after their initial launch, which boosted the popularity of the series further. This also led to a full Netflix adaptation of all thirteen books in 2017, which had a similar effect. Fans often claim the books are intelligently written, humorous, full of interesting plot twists, engaging mysteries, cliff hangers, complex characters, and themes which force the reader to question their own morality with heavy grey-on-grey morality. In regards to the children who read the series, the books have often been categorized as "coming-of-age" stories, and are in the "Growing Up & Facts of Life" section on The Baudelaires go through a lot of character growth; they start off as wealthy and innocent and somewhat naive children who are dependent on their parents and after their parents die, the Baudelaires are unable to rely on their money and live in many dismal and impoverished circumstances. They gradually learn about the horrors and corruption in their world and, by the end, have become incredibly strong, brave, outspoken and mature teenagers. The Times Online refer to the books as "a literary phenomenon", and discuss how the plight of the Baudelaire orphans helps children cope with loss—citing the rise in sales post September 11, 2001 as evidence. A fan article compares the series to being a "guide for grief."[1] The series can help teach children critical thinking skills, such as skepticism, as well as a wide variety of vocabulary. Others noted that it can help children to become more independent and learn how to not only voice their own values, but also act on them, due to the themes about the consequences of inaction and complacency, even when it seems the whole world is against them. In addition, the books may help to generate sympathy and understanding towards those who are unfortunate in life. The reader is forced to experience the constant tragedy of the Baudelaire orphans. For example, in The Austere Academy, the Baudelaires are forced to deal with bullying. Criticism[] A Series of Unfortunate Events has received its fair share of criticism. The series has been criticized for formulaic and repetitive storytelling. Similar events occur repeatedly. In Books 1-7, the Baudelaires appear with a new guardian, Count Olaf appears in a disguise, no one believes the Baudelaires, someone is killed or almost killed, and Olaf escapes. In defense, the formula being recycled makes The Vile Village and the latter books more dramatic. Another example of repetitiveness is that when someone says something, "cried" is often used as a descriptor, such as "Violet cried, 'It wasn't us!'" Lemony Snicket constantly defines words, even ones such as "rickety", "blanched" and "simmered". In defense, this is meant for the younger readers who probably do not have a large vocabulary. Handler appears to have taken this criticism seriously during development, in order to balance the story so younger readers know what is occurring, while at the same time, trying not to come off as too patronizing and condescending to older readers. In later books, definitions are moreso used in a fashion to describe the events that are unfolding, rather than the specific definition itself. Some claim and criticize that the books teach children to not trust adults and that it's useless to come to them for help. The series portrays young people the Baudelaires, the Quagmires, Fiona as being more sensible and open-minded than the often irrational adults, even going so far to include a nightmarish village run by 25 nonsensical elderly people the Council of Elders, as well as Ishmael. However, another interpretation is that it teaches children to be wary of certain adults instead of all adults, and the idea of why blindly respecting and trusting someone, simply because they are older than you, can be a bad idea. A woman also once approached Daniel Handler and said, "In one of your books, you teach that it is sometimes necessary to lie."[7] The books do not always portray "honesty as the best policy", showing how at times, not telling the truth is sometimes can be the better option, and why dishonesty can help. For example, the Baudelaires decide to build a trap for Esmé Squalor in order to rescue Sunny, but Quigley has a moral dilemma and decides to be honest. Esmé calls him an idiot for telling her they built a trap, and this begins a chain dangerous of events occur which almost leads to Sunny being thrown off a mountain to her death, because Quigley thought being honest is the "right" thing to do. Violet questioning Klaus' views on morality. The series contains elements of "moral ambivalence", often dismissing the idea of "right" and "wrong". For example, at the end of The Wide Window Part Two, Klaus wonders if ditching Mr. Poe in order to catch a ride to Lucky Smells Lumbermill was the "right" thing to do. Violet replies that it does not really matter, what matters is what will happen to them. While the series features some developed characters, it has also been criticized for keeping some characters rather one note. Two developed villains are the Hook-Handed Man and White-Faced Women, who eventually change their ways and leave Olaf. In contrast, Esmé Squalor and Carmelita Spats are introduced as selfish and bratty and go through little character growth. However, one-note characters can be a positive thing, in the sense that they portray the truth that some people will never change. Controversy[] Uncle Monty's murdered corpse. A Series of Unfortunate Events has come under criticism from both parents and some school districts for its dark themes. Upon its release, many were quick to deem the series as "sick" and "demented", due to the often overwhelming feelings of despair, children under constant threats of death and violence, people dying in gruesome ways, etc. This was especially true during the time when only books 1-4 were released, in which someone explicitly dies. The finale of book 5 is perhaps the first turning point of the series; while Duncan is being kidnapped, he shouts " which adds a heavy sense of mystery, and the series begins to introduce increasingly complex themes and heavier social commentary. Although book 4 had commentary about corruption in the workforce, the latter books contain social commentary on corruption in aspects like education book 5, fashion and wealth book 6, herd mentality book 7, healthcare book 8 and entertainment book 9. Olaf forcefully gets Violet to marry him under duress. Perhaps most controversial aspect was the suggested incest, referring to Olaf's attempt to marry his supposed distant cousin Violet in The Bad Beginning. Although his main motive is to gain the Baudelaire fortune and not sexual in nature, readers note that are suggestive lines. There is some low-level profanity used in the series. For example, "damn" and "hell" are said in The Reptile Room. Handler later commented that the word's use was "precipitated by a long discussion of how one should never say this word, since only a villain would do so vile a thing! This is exactly the lily-liveredness of children's books that I can't stand." Since its release, access to the books have been banned and restricted in similar school districts; these include Katy ISD Elementary School in Katy, Texas, due to having "violence/horror"[8] Clark Elementary in Portland, due to the extremely vague reason "mysticism"[8] Decatur, Georgia, due to Count Olaf attempting to marry Violet[9][10] Religious controversy[] The books have drawn the ire and praise of fundamentalist Christians, some of whom believe the books to be Christian allegories and some of whom believe them to be long-winded insults against Christianity. Despite this, Handler, who is a secular humanist, and does not consider himself a religious person, claimed the books are not supposed to be Christian allegories or attacks on Christianity.[2][3] The Baudelaire family have been confirmed to be of Jewish descent, although Violet, Klaus and Sunny do not mention deities or "God", implying religious ambivalence. For example, when the Baudelaires encounter tough situations, they resort to brainstorming and using their wits, instead of prayer and begging a higher power for help. The End mentions the Baudelaires do not believe in magic "The Baudelaires, as a rule, did not believe in magic... Like all people who have seen something of the world, the children had come across plenty of things they had been unable to explain, from the diabolical hypnotism techniques of Dr. Orwell to the way a girl named Fiona had broken Klaus's heart, but they had never been tempted to solve these mysteries with a supernatural explanation like magic." Some religious comparisons include VFD eye. Count Olaf has been seen as a parallel to Satan or some dark god-like figure. He is tall, has animalistic features that appear demonic, almost goat-like with his goatee and sideburns. He stalks the children mercilessly, is a psychopathic serial killer, and his eyes in his house make the children always seem like they are being watched. No matter where they go, he always seem to find them, implying omniscience. He is also involved with the secret society known as In The Ersatz Elevator, the Baudelaires live at 667 Dark Avenue, which is one number away from 666. This may have been intended to foreshadow Esmé being evil, living one number away from a number viewed by many as being evil. The Vile Village can be seen as a commentary on organized religion, cults and extremism, as it essentially contains a cult of old people who worship crows and want to burn people to death for not following their ways as part of their hive mind. The Hostile Hospital can be seen as commentary on "the power of prayer", as the Volunteers Fighting Disease simply hope and tell the patients to feel better, but neglect actually giving them physical medicine like water and painkillers. Violet receiving an apple from a serpent. The End is often theorized to be an inversion of the Book of Genesis. For example, the Island is theorized to be a parallel to the Garden of Eden. Ishmael is theorized to be symbolic of God. During the story, Violet receives an apple which is a "cure" of a fatal disease from a snake, which could be interpreted as an allusion to Eve receiving the "fruit of knowledge" from the serpent. However, the islanders reject the apples, leading to their possible deaths. There is a church mentioned in the series called the Cathedral of the Alleged Virgin, which is likely a satire of the concept of religion pushing beliefs as truth. When asked if A Series of Unfortunate Events is a "world without God", Handler replied, "God is not a character in A Series of Unfortunate Events. The narrator mentions at one point that the characters often felt as if there was something powerful over them, which made no move to help them and was perhaps even laughing at their misfortune. But whether that person was God or the author is up for grabs."[3] Books[] A Series of Unfortunate Events consists of thirteen novels and and one epilogue chapter at the end of the series that is considered by Daniel Handler as a separate book. The Bad Beginning The Reptile Room The Wide Window The Miserable Mill The Austere Academy The Ersatz Elevator The Vile Village The Hostile Hospital The Carnivorous Carnival The Slippery Slope The Grim Grotto The Penultimate Peril The End Chapter Fourteen included with The End Releases and packaging[] North American cover of The Bad Beginning. The series carries a unique feel, not only in content, but also in packaging. The original covers were made to look old fashioned, with Victorian designs throughout. They were originally released in paperback, but those have now become harder to find, with hardcovers becoming the standard for the series. Several hardcover box sets were released in the US. The first four box sets came with three books each, and were each referred to as "A Box of Unfortunate Events." Books 1-3 were released as The Trouble Begins, books 4-6 were released as The Situation Worsens, books 1-6 were re-released as The Loathsome Library, books 7-9 were released as The Dilemma Deepens, and books 10-12 were released as The Gloom Looms. Shortly after publication of the last book, The End, the entire series was released in a box set called The Complete Wreck. Penny Dreadful release of The Reptile Room; or, Murder! The series's illustrator Brett Helquist returned to illustrate another release of the series in paperback form, made to mimic the penny dreadful-a common nineteenth-century British publication that was usually released in parts, each of which cost a penny. Books one, two, and three saw releases in this form, as well as secondary names The Bad Beginning; or, Orphans!, The Reptile Room; or, Murder!, and The Wide Window; or, Disappearance! Penny Dreadful releases were never released for the remainder of the books. Promotional Items and Merchandise[] A Series of Unfortunate Events 2004 calendar. Numerous promotional items and merchandise has been released including calendars, buttons, dust covers, postcards, puzzles, board games and many more. An unofficial website focused on merchandise is here. Adaptations[] There have been two major adaptations of A Series of Unfortunate Events the Paramount film, and the Netflix series. While the film is not canon to the books, the TV series has debatable canonicity as Daniel Handler was involved with some of it, although he was taken off the development team, and many things in the TV series are different from the books. 2004 film non-canon[] Film poster. Main article Lemony Snicket's A Series of Unfortunate Events film The first three novels of the series, The Bad Beginning, The Reptile Room, and The Wide Window, were made into a film, entitled Lemony Snicket's A Series of Unfortunate Events, and starring Emily Browning, Liam Aiken, and Jim Carrey. Video game non-canon[] Main article Lemony Snicket's A Series of Unfortunate Events video game The film was consequently adapted into a video game. The game is based primarily on the movie, which in turn is based on the plots of the first three books of the series The Bad Beginning, The Reptile Room, and The Wide Window. Players take the roles of Violet, Klaus, and Sunny Baudelaire, solving puzzles, fighting villains and finding objects. Television series[] Netflix cover of The Bad Beginning. Main article A Series of Unfortunate Events TV series On January 13, 2017, Netflix released a TV series based on the books. Because of the canceled franchise of films, Daniel Handler was happy with the idea and joined production as one of the executive producers and a writer for the first season which contains eight episodes, although he was less involved with the next two seasons. Each book is broken up into two episodes except for The End, and season 1 adapts the first four in the series The Bad Beginning, The Reptile Room, The Wide Window, and The Miserable Mill. Season 2 adapts the next five books The Austere Academy, The Ersatz Elevator, The Vile Village, The Hostile Hospital, and The Carnivorous Carnival. Season 3 adapts the final four books The Slippery Slope, The Grim Grotto, The Penultimate Peril, and The End. Directors of the series include Barry Sonnenfeld, Mark Palansky, and Bo Welch. Violet is played by Malina Weissman, Klaus by Louis Hynes, and Sunny by Presley Smith, while Sunny's voice is performed by Tara Strong. Other works by Snicket, set in the VFD universe[] All the Wrong Questions[] Main article All the Wrong Questions All the Wrong Questions is another series written by Daniel Handler set in the same universe as A Series of Unfortunate Events, and includes several characters from it, although mainly in the form of small cameos. This series depicts the childhood of Lemony Snicket himself as a student in the organization. He is taken by his chaperone S. Theodora Markson to the town Stain'd-by-the-Sea, where he solves mysteries on his own and asks all the wrong questions. [] 13 Shocking Secrets You'll Wish You Never Knew About Lemony Snicket Lemony Snicket The Unauthorized Autobiography The Beatrice Letters The Blank Book The Dismal Dinner released by Lunchables The Pessimistic Posters The Ponderous Postcards The Puzzling Puzzles The Notorious Notations The Tragic Treasury External links[] Official website This wiki in other languages[] Portuguese Wikia French Wiki Spanish Wikia Russian Wikia German Wikia Sources[] ↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ see & ↑ ↑ v • d • eA Series of Unfortunate Events by Lemony SnicketThe Trouble Begins The Bad Beginning • The Reptile Room • The Wide WindowThe Situation Worsens The Miserable Mill • The Austere Academy • The Ersatz ElevatorThe Dilemma Deepens The Vile Village • The Hostile Hospital • The Carnivorous CarnivalThe Gloom Looms The Slippery Slope • The Grim Grotto • The Penultimate Peril • The EndLemony Snicket The Unauthorized Autobiography • The Beatrice Letters • Horseradish}

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Головна сторінка NetflixТЕЛЕСЕРІАЛИ Й ФІЛЬМИ БЕЗ ОБМЕЖЕНЬУВІЙТИ2017 Вікові обмеження10+ Для дітейThe extraordinary Baudelaire orphans face trials, tribulations and the evil Count Olaf in their fateful quest to unlock long-held family роляхНіл Патрік Гарріс,Патрік Ворбертон,Маліна ВайсманNeil Patrick Harris leads a starry ensemble in this Emmy-nominated reimagining of the acclaimed children’s Series of Unfortunate EventsДокладні відомостіДивіться офлайнДоступно для завантаженняПро серіалНеординарне,Дотепне,ПохмуреАкторський складНіл Патрік ГаррісПатрік ВорбертонМаліна ВайсманЛуїс ХайнсК. Тодд ФріменДжоан К’юсакАасіф МандвіАві ЛейкДілан КінґвеллЛюсі ПанчСара РюРоджер БартНейтан ФілліонКітана ТернбуллІтамар ЕнрікесМінді СтерлінгКерол МенселлКен ДженкінсДевід Алан ҐрірКеррі КенніДжон БобекЕлісон ВільямсСхожеНезабаромВідьмакҐеральт із Рівії, мутант, найманий мисливець на монстрів, вирушає назустріч долі в неспокійному світі, де люди часто виявляються страшнішими за 2Побувавши на межі смерті, досвідчений найманець Тайлер Рейк береться за нову небезпечну місію врятувати з полону сім’ю безжального працювати самостійно, колишній напарник Бетмена Дік Ґрейсон зустрічає кількох молодих героїв, яким відчайдушно потрібен епічна історія — адаптація серії фантастичних романів Діани Ґеблдон, яка розповідає про стосунки пари закоханих, які подорожують у сім’янин відвідує рідне село заради місцевого свята й вимушено повертається до злочинного життя, яке він колись зовсім нарвалДопитливий маленький Келп усе життя вважав себе нарвалом… аж доки не дізнався, що він насправді єдиноріг. Тепер перед ним відкриваються цілих два світи!Крізь моє вікно Розділені моремАрес і Ракель провели рік поодинці. Зустріч на пляжі обіцяє бути спекотною. Чи зможе кохання перемогти все, і навіть дружній флірт або нові комплекси?Чорна конюшина Меч короля магівПоки хоробрий хлопець, який не володіє чарами, прагне стати королем магів, чотири попередні володарі цього титулу, повертаються, щоб знищити Королівство Конюшини.

^{Nontontv series A Series of Unfortunate Events Season 1 dan drama korea favorite kalian di situs kami ID XX1 A Series of Unfortunate Events Season 1. The orphaned Baudelaire children face trials, tribulations and the evil Count Olaf, all in their quest to uncover the secret of their parents' death. sub indo iLK21 BioskopKeren A Series of Unfortunate Events Season 1 IndoXXI} ^{Lemony Snicket’s A Series of Unfortunate Events iLK21 LayarKaca21Quality HDYear 2004Duration 108 Min1068 votes, average out of 10 Three wealthy children’s parents are killed in a fire. When they are sent to a distant relative, they find out that he is plotting to kill them and seize their fortune. This movie is extremely alarming, an expression which here means “a thrilling misadventure involving three ingenious orphans and a villainous actor named Count Olaf Jim Carrey who wants their enormous fortune.” It includes a suspicious fire, delicious pasta, Jim Carrey, poorly behaved looches, Billy Connolly, an incredibly deadly viper, Meryl Streep, and the voice of an imposter named Jude Law. TaglineDarkening theaters December 17. Release16 Dec 2004 LanguageEnglish Budget$ Revenue$ CastAmy Brenneman, Billy Connolly, Bob Clendenin, Catherine O’Hara, Cedric the Entertainer, Craig Ferguson, Dustin Hoffman, Emily Browning, Fred Gallo, Jamie Harris, Jane Adams, Jennifer Coolidge, Jim Carrey, Jude Law, Kara Hoffman, Lenny Clarke, Liam Aiken, Luis Guzmán, Meryl Streep, Shelby Hoffman, Timothy Spall}

Film“Lemony Snicket’s : A Series of Unfortunate Events” yang sukses tayang pada tahun 2004 mengundang banyak pertanyaan, karena tidak ada kelanjutan dari kisah Boudelairs bersaudara. Seiring dengan kesuksesan film ini, namun kisah ini juga dijadikan dalam video game petualangan yang memerankan anak-anak Boudelaires dalam menghadapi

TRAILER 201 Play all videos What to know Although it softens the nasty edges of its source material, Lemony Snicket's A Series of Unfortunate Events is a gothic visual treat, and it features a hilariously manic turn from Jim Carrey as the evil Count Olaf. Read critic reviews Harry Potter and the Chamber of Secrets Harry Potter and the Sorcerer's Stone Harry Potter and the Prisoner of Azkaban Tim Burton's Corpse Bride Rent/buy Subscription Rent/buy Subscription Rent/buy Lemony Snicket's A Series of Unfortunate Events videos Lemony Snicket's A Series of Unfortunate Events Trailer 1 TRAILER 201 Lemony Snicket's A Series of Unfortunate Events Official Clip - The Baudelaire Children 159 Lemony Snicket's A Series of Unfortunate Events Official Clip - Hurricane Herman 159 Lemony Snicket's A Series of Unfortunate Events Official Clip - We're Too Late 213 Lemony Snicket's A Series of Unfortunate Events Official Clip - Aunt Josephine 153 Lemony Snicket's A Series of Unfortunate Events Official Clip - The Letter That Never Came 207 Lemony Snicket's A Series of Unfortunate Events Photos Movie Info After the three young Baudelaire siblings are left orphaned by a fire in their mansion, they are carted off to live with their distant relative, Count Olaf Jim Carrey. Unfortunately, Olaf is a cruel, scheming man only after the inheritance that the eldest Baudelaire, Violet Emily Browning, is set to receive. The children escape and find shelter with their quirky Uncle Monty Billy Connolly and, subsequently, their phobic Aunt Josephine Meryl Streep, but Olaf is never far behind. Rating PG Scary SituationsBrief LanguageThematic Elements Genre Kids & family, Comedy, Fantasy, Adventure Original Language English Director Brad Silberling Producer Albie Hecht, Laurie MacDonald, Walter F. Parkes Writer Robert Gordon, Daniel Handler Release Date Theaters Dec 17, 2004 wide Release Date Streaming Apr 26, 2005 Box Office Gross USA $ Runtime 1h 47m Distributor DreamWorks SKG Production Co DreamWorks SKG, Paramount Pictures, Scott Rudin Productions, Nickelodeon Movies Sound Mix DTS, Surround, Dolby SRD, SDDS Aspect Ratio Flat Cast & Crew News & Interviews for Lemony Snicket's A Series of Unfortunate Events Critic Reviews for Lemony Snicket's A Series of Unfortunate Events Audience Reviews for Lemony Snicket's A Series of Unfortunate Events Jun 14, 2019 A Series of Unfortunate Events highlights the bizarre lore of Lemony Snicket's encapsulating vision by utilizing a plethora of stars including Meryl Streep and ever-iconic, multi-layered Jim Carrey. The charming adolescent/toddler trio and perilous, yet quirky plot is just enough satisfaction and entertainment to wonder what could have been for this potentially-developing franchise. Super Reviewer Nov 19, 2016 I decided to see this since Netflix is turning it into a TV series next year. A great performance from Jim Carrey and an engaging plot, set up for sequels that did not happen, doesn't do the book series justice. Very entertaining and funny. Super Reviewer Aug 04, 2013 Nowhere near the brilliance of Lemony Snicket's series, the film is a disappointment as far as adaptations go. It is aesthetically pleasing, however, with wonderful visuals. While there is some humor, most of the film is quite lifeless with wooden acting. If only the makers had spent as much time on the script as they did on the aesthetics, the film may feel a little less empty than it does. Ultimately, the film is pretty to look at, but nothing more. Its main failure not only comes from awkward pacing and a bland script, but an attempt to mix in secrets revealed in the last books of the series with the first three installations. Frankly, it doesn't work. Super Reviewer Aug 05, 2012 Was quite different to the books, but offered some new elements and yet worked. The costumes were fantastic, acting was charming. It only the film can receive a Harry Potter treatment then it would be much better. Super Reviewer NontonFilm Lemony Snicket’s A Series of Unfortunate Events (2004) Subtitle Indonesia - Nonton film bioskop, series, drama, movie online dengan kualitas HD dan subtitle indonesia. Download anime, korea, mandarin, jepang gratis.

I am NOT a MONKEY! The following article or section concerns information that is considered even less canonical than the chance of a happy ending. Any information following should not be used as a source for the canon of the book series. Lemony Snicket's A Series of Unfortunate Events was the first adaptation of Lemony Snicket's book series A Series of Unfortunate Events. Released in 2004, the film was directed by Brad Silberling, with a screenplay by Robert Gordon. Like the original novels, A Series of Unfortunate Events tells the story of Violet, Klaus and Sunny Baudelaire, three orphans who are adopted by a mysterious villain who attempts to steal their late parents' fortune. It is based on the first three books of the series, The Bad Beginning, The Reptile Room and The Wide Window. The film stars Emily Browning as Violet Baudelaire, Liam Aiken as Klaus Baudelaire, Kara and Shelby Hoffman as Sunny Baudelaire, Jim Carrey as Count Olaf, and Jude Law as the voice of Lemony Snicket. Development for the film began when Nickelodeon Movies purchased the film rights to Daniel Handler's series of books in May 2000. Barry Sonnenfeld signed on to direct in June 2002, and hired Handler to adapt the screenplay while courting Jim Carrey for Count Olaf. Sonnenfeld eventually left over budget concerns in January 2003 and Brad Silberling took over. After Robert Gordon rewrote Handler's script, principal photography started on November 2003. A Series of Unfortunate Events was entirely shot using sound stages and backlots at Paramount Pictures and Downey Studios. The film received generally favorable reviews from critics. Although criticized for its major deviations from the books in both tone and content, it grossed approximately $209 million worldwide and received Academy Award nominations for Best Art Direction, Best Original Score, Best Costume Design and a win for Best Makeup. Plot[] Chapter 1 The Bad Beginning[] After the brief appearance of "The Littlest Elf" which may have been made to confuse much of the audience and make many suspect they were in the wrong theater, the film is narrated by detective and investigator Lemony Snicket voiced by Jude Law, who occasionally appears in silhouettes and shadows. After visiting the grave of the Baudelaires, Snicket begins writing their story on a typewriter from the interior of a clock tower. The Baudelaire orphans in their ruined home. Inventor Violet Baudelaire Emily Browning, her bibliophile younger brother Klaus Liam Aiken, and their sharp-toothed precocious infant sister Sunny Kara and Shelby Hoffman are enjoying a gloomy day at Briny Beach, as they prefer less crowded times. However, their parent's bank manager, Mr. Poe Timothy Spall, arrives to tell them that they are now orphans since a mysterious fire destroyed their mansion and killed their parents. Mr. Poe entrusts them to their "closest relative" which is a fourth cousin three times removed or a third cousin four times removed. However, misinterpreting the phrase, Mr. Poe chooses their distant relative who lives the shortest distance away, the obnoxious Count Olaf Jim Carrey, a stage actor and playwright who lives in a decrepit house. Olaf's neighbor is Justice Strauss Catherine O'Hara, a friendly judge who the Baudelaires briefly meet. Olaf slaps Klaus. Olaf is "shocked" that the children lost their parents, and he promises to take care of the orphans, but in fact is only interested in the huge Baudelaire fortune that Violet will inherit when she turns 18. In the meantime, he treats them like slaves Making them do all the chores. One day Count Olaf orders the children to make dinner for him and this troupe. The children decide to make them pasta puttanesca. Count Olaf angrily bursts out due to him not being able to have Roast Beef, despite the latter never asking for Roast Beef in the first place. When Klaus backtalks, Count Olaf slaps him. Olaf plans to gain full custody of the children by the town court. After being accepted, Olaf says he'll become the "ultimate dad". He drives his car to a railway-side store, leaving his car in the middle of the tracks. He leaves to get some "treats", while locking the children in the car on the way. Violet finds a book on Inheritance Law and You and finds a small page with time stamps on it. Klaus realizes that the times are schedule times for a train about to past the crossing they are on, one being 1115 which the time on the car suddenly strikes. The children realize that unless they do something fast they will be run over by the train. Inside the store Olaf grabs some soda only to see the bottles begin to shake, making him smile. Hearing a laughing The Littlest Elf bobble head, The children react and try to find a way out. The phone on the car's dashboard rings being Mr. Poe returning a call from Olaf. Violet tries to warn Poe of their problem, but he is unable to hear them as he is ironically next to the train. The signal begin ringing, and the train is seen in the distance. Using a makeshift rope made from a seat spring, seat trim, and the elf head they use it the latch onto a track switch to change the tracks. They fail at first but manage to latch on the second try. They are able to switch the tracks just before the train crosses. Olaf laughs as the train comes expecting a crash but stops and sees the train passing in front of his car. Mr. Poe arrives and Olaf hides, unlocking his car. Sunny sticks her head out the window and waves at Poe. Mr. Poe then decided to take away the children away from Olaf due to "Letting Sunny drive"However, Count Olaf whispers to the children that he will find them, no matter where they go. The Baudelaires meet Uncle Monty. Chapter 2 The Reptile Room[] Mr. Poe then sends the children to live with their "uncle"Who is really their father's cousin's wife's brother, Dr. Montgomery Montgomery Billy Connolly, a cheerfully eccentric herpetologist with a well-stocked 'reptile room' full of exotic and often fictitious reptiles, who is planning a trip to Peru. Their stay with Uncle Monty is cut short when Count Olaf appears in disguise as a man named Stephano, a replacement for Monty's assistant Gustav who was kidnapped and tied to a train by Olaf. The Baudelaires see through the disguise instantly. They manage to communicate to Monty that Olaf is an imposter, but fail to impress upon their uncle the villain's true intention on him. Monty remains convinced that the supposed Stephano is a rival herpetologist come to plagiarize Monty's recent scientific discoveries. Olaf later murders Monty and frames a large and poisonous viper for the killing. As the disguised Olaf and his henchman the Hook-handed man Jamie Harris who is in disguise as a doctor prepare to kidnap the children, Sunny reveals the snake's true gentle nature, and Olaf's plot is exposed. This persuades a skeptical Mr. Poe and a police inspector Cedric the Entertainer to accept Stephano's guilt, though not his true identity. The count abandons his disguise and escapes. Aunt Josephine. Chapter 3 The Wide Window[] Events now take the children to the gloomy shores of Lake Lachrymose, where their "aunt" not technically, Josephine Anwhistle Meryl Streep, resides in a house perched precariously on the edge of a cliff overlooking the waters of the vast lake. She has numerous irrational fears, and yet lives in a house populated with many of those things of which she is terrified by - her fear of realtors prevents her from moving. The house is held up by stilts and includes a large window facing the lake. A room of photographs and documents apparently contains clues to the cause of the fire that killed the orphans' parents; Josephine, too, appears to know more than she is willing to reveal. Klaus fails to reveal Olaf's disguise. Before the children can discover more, however, Olaf arrives once again, disguised as a sailor named Captain Sham, and quickly gains Josephine's confidence and love. She accompanies him back to her home, leaving the children alone to complete the day's shopping. The orphans soon discover that Josephine has disappeared and the window smashed, leading the Baudelaires to believe that she has killed herself. She leaves what is ostensibly a suicide note, but Klaus realizes that it is, in fact, a coded message telling them that she is hiding in Curdled Cave on the shore of the lake. As the children prepare to leave for the cave, the house is torn apart by a hurricane. The Baudelaires barely escape. Sailing across the lake to reach Curdled Cave, they find Josephine, and attempt to make their way to safety. The deadly Lachrymose Leeches reach them first, as Josephine secretly ate a banana recently. Count Olaf catches up with them, rescuing the Baudelaires but leaving Josephine at the mercy of the water and of the leeches to prevent her from revealing his designs on the orphans. It is heavily implied Josephine is killed. Mr. Poe arrives, and returns the Baudelaires to Olaf's custody, moved by Olaf's apparent dedication to the safety of the children. Olaf trying to marry Violet. Chapter 4 The Marvelous Marriage[] At Olaf's home, Olaf concocts his final plan, involving a play starring himself and Violet called The Marvelous Marriage. In the play, his character marries Violet's character, but in such a way that the staged marriage is legal, gaining him access to the Baudelaire fortune. This move is accomplished by Olaf's casting of Justice Strauss as the supposed judge in the play; with her in this role, the marriage is technically legal. To ensure Violet's cooperation, he holds Sunny hostage in a cage in the forbidden tower beside his house. Klaus burning the marriage certificate. During the play, Klaus escaped to rescue Sunny by climbing up the tower. He succeeds in the entry but faces off with Olaf's Hook-handed henchman at the top wherein Klaus gains the upper hand and saves his younger sister. In the final moments of the play, as Olaf triumphantly brandishes the marriage certificate, Klaus discovers a large window with a set of lenses that, if positioned correctly, can focus the rays of the sun. Now realizing that this was the method used to set fire to the Baudelaire mansion and that Olaf was the true mastermind of the incident, Klaus uses the window to incinerate the document from a distance and succeeds, which leads to Olaf's arrest. After a few "what-if" scenes of Olaf's punishments which never happen, it is mentioned Olaf and his troupe actually escaped when a jury of his peers overturn his sentence. The Baudelaires revisit the ruins of their mansion. Mr. Poe makes one last stop in the ruins of the Baudelaires' home. There the orphans find the letter left to them by their parents before the Baudelaires became orphans, which contains words of hope and encouragement. The envelope also contains a spyglass, one of several that appear throughout the film to imply the presence of a secret society to which the protagonists' parents belonged. The film ends with Snicket finishing the story; "There are people in the world who know no misery and woe and they take comfort in cheerful films about twittering birds and giggling elves. There are people who know that there's always a mystery to be solved and they take comfort in researching and writing down any important evidence. But this story is not about such people, but about the Baudelaires, who are the sort of people who know that there's always something to invent, read, bite, and something to do to make a sanctuary, no matter how small." As the Baudelaires sleep in Mr. Poe's car on their way to their new guardians continued in The Miserable Mill in the book canon, Snicket quotes the final line to The Wide Window, which states that the Baudelaires were "very fortunate, indeed". He finishes writing his documentation and hides the papers in the clock tower for his publisher to find before leaving for an unknown place. Cast[] From left to right Count Olaf, Klaus and Violet holding Sunny Count Olaf - Jim Carrey Klaus - Liam Aiken Violet - Emily Browning Sunny - Kara Hoffman, Shelby Hoffman Voice of Lemony Snicket - Jude Law Mr. Poe - Timothy Spall Justice Strauss - Catherine O'Hara Uncle Monty - Billy Connolly Aunt Josephine - Meryl Streep Bald Man - Luis Guzman Hook-Handed Man - Jamie Harris Person of Indeterminate Gender - Craig Ferguson White-Faced Women - Jennifer Coolidge, Jane Adams Constable - Cedric the Entertainer Grocery Clerk - Robert Clendenin Gruff Grocer - Lenny Clarke Judge - Fred Gallo Gustav - John Dexter Mrs. Poe - Deborah Theaker Captain Sam - Wayne Flemming Mr. Law's Photo Double - James Henderson Mr. Carrey's Stand-in - Kerry Hoyt Uncredited cast[] Beatrice Baudelaire - Helena Bonham Carter Critic - Dustin Hoffman Photographer - Daniel Handler Realtor - Jane Lynch Daniel Handler initially viewed Count Olaf as being a James Mason-type. Carrey was not aware of the book series when he was cast, but immediately became a fan. "Handler's books are just a bold and original way to tell a children's story." the actor explained. Carrey was also attracted to the role over self-parody concerns.[2] Director Brad Silberling was open to Carrey's idea of improvisation for various scenes, especially the Stephano and Captain Sham alter egos.[3] In an attempt to make his prosthetic makeup more comfortable and easier to apply, Carrey shaved his head bald for the part.[2] The actor's inspiration for Olaf's voice was a combination of Orson Welles and Béla Lugosi.[4] Crew[] General production staff Nickelodeon Creative Supervisor - Damon Ross Co-producers - Minor Childers, Scott Aversano Associate Producers - Linda Hill, Michele Panelli-Venetis Location Managers Los Angeles - Lori Balton, Maida N. Morgan Location Manager Boston - Charles Harrington Assistant Location Manager Boston - Mark Fitzgerald Unit Production Manager - David Witz Production Supervisor - Jason McGatlin Production Co-ordinator - Lisa Greenspan Assistant Production Co-ordinators - Jason Tamez, Emmanuelle C. Heroux Production Assistants - Jessica Tate, Erin Wilson, Morgan Bailey, Garrett Hauenstein, Betsy Megel, Jonathan Yudis, Jack Dubnicek, Alan Baxter, David Mendoza, Michelle Schrauwers, Heather Anderson, Alexis Quartararo, David Allebe, Jason Kumalo, Kevin Thomas Roy, Laura Twors, Deana Morgan, Mark McGrath, Kevin P. Roy, Steve Simon, Kyra L. Kowasic, Alexandra Marlin, Megan RomeroErica Callas, Erica Kallas, Ryan Faust, Andrew de Geofroy Production Secretaries - Carrie Arnold, Chris Corrado, Jason Zorigian Medics - Marie "Ree" Nashold, Robert Brugger, Mary Lamar Mahler Water Safety Co-ordinator - Rene H. Herrera Picture Boat Co-ordinator - Michael Neipris Mr. Carrey's Security - Dotan Bonen Unit Publicist - Rob Harris Studio Teachers - Judith M. Brown, Laura Gary Baby Wrangler - Rob Harris 1st Assistant Accountant - Gene Strange 2nd Assistant Accountants - Jamie Daddio, Denise Mora Production Auditor - Jim Davidson Assistant Accountant - Brian Hoven Payroll Accountant - Irene Haydichev Assistant Payroll Accountant - Christopher Wade Accounting Production Assistant - Shauna Moss Caterer - Tony's Food Service Transportation Coordinator - Dan Romero Researcher - Max Daly Script department Camera and lighting department 1st Assistant Director - Michele Panelli-Venetis 2nd Assistant Director - Rusty Mahmood 2nd 2nd Assistant Director - Timothy R. Price Additional 2nd 2nd Assistant Directors - Paul B. Schneider, Hans Berggren, Pete Dress, Lynn Struiksma Script Supervisor - Kerry Lyn McKissick Camera Operator - Kim Marks Additional Director of Photography - Robert Yeoman "A" 1st Assistant Photographer - Harry Zimmerman "A" 2nd Assistant Photographer - Dana Shelayne Kroeger "B" 1st Assistant Photographers - Darin Moran, Patrick McArdle "B" 2nd Assistant Photographer - Starrs McBurney Steadicam Operator - George Billinger First Company Grip - Mike Anderson Dolly Grip Operators - Brad Rea, Audie Aragon Video Engineer - Ian Kelly Grips - Melvin "Butch" Von Bulow, Stephen Graves, William L. Slemmons, Chrostopher Reynolds, Danny Andersen, Paul Schmidt, Jeffrey T. Sweet, Robert Small Film Loaders - Tulio Dueńas, Todd Avery Underwater Director of Photography - Pete Romano Boom Operator - Ross Simpson Second Company Grips - Malcolm Doran II, Vincent Olague Steadicam Operator - George Billinger Still Photographer - Francois Duhamel Chief Lighting Technician - John Buckley Assistant Chief Lighting Technicians - Michael Yope, Joseph F. Guerino, David Hengsteler, Michael Franco Lighting Programmer - Scott Barnes Dimmer Board Technician - Joshua Thatcher Electricians - Jeffrey A. Cook, John W. Fine, Carlos Baker, K. Allen Harker, David Watson, John Linares, Glenn Moran Personal assistants Assistants to Mr. Silberling - Sarah Hendler, Brian Buller Assistants to Mr. Parkes - Riyoko Tanaka, Leilani Gushiken Asst to Ms. MacDonald - Linda Kroll Asst to Mr. Van Wyck - Brian Read Asst to Ms. Pistor - Niki Williams Executive Assistant to Mr. Carrey - Stephanie Detiege Asst to Mr. Carrey - Coti Hudgens Asst to Ms. Streep - Kori E. Wilson Art department Supervising Art Director - John Dexter Art Directors - William Hawkins, Martin Whist, Tony Fanning Assistant Art Directors - Eric Sundahl, A. Todd Holland, Bill Boes Art Department Co-ordinator - Laura J. Derosa Petty Cash Accountant - Michael Granberry Set Decorator - Cheryl A. Carasik Lead Persons - Ernest M. Sanchez, Christopher Casey, Craig A. Zimmerman Drapery Foreperson - Steven Baer On-set Dresser - Marilyn Morgan Set Dressers - Scott Collins, Greg Evans, Wendell J. Joyce, Chris Kennedy, Dean Lakoff, Steven Light-Orr, Carol Ann Napier, Chris Patterson On-set Puppet Effects Wrangler - Mitchell Coughlin Set Designers - Easton Smith, C. Scott Baker, Roy Barnes, Todd Cherniawsky, Luke Freeborn, Sean Haworth, Jann Engel, Victor Martinez, J. André Chaintrueil, Jackson Bishop, Kevin Cross, Scott Herbertson, Nancy Deren, Lauren Polizzi, Marco Rubeo, George Trimmer, Donald Woodruff, Dawn Snyder Greens Co-ordinator - Danny Ondrejko Greens Forepersons - Carlo Basail, Richard W. Jones, Kevin Mangan, Jose Orozco, Bob Skemp Greens Person - Jeffrey Thomas Storyboard Artists - Gabriel Hardman, Michael Anthony Jackson, Giacomo Ghiazza Conceptual Artist - Peter Chan Previsualization Artist - Rich Lee Animatics - James A. Rothwell Chief Rigging Technician - Gary Dahlquist Chief Rigging Electricians - Doug Weinmann, Patric J. Abaravich, Jim Greene Rigging Electricians - Robert Aguilar, David Gottlieb, Joshua Davis, Carson E. Mayne, Richard Ralston, Melford Ramsey, Louie Ceredez, Robert A. Wood, Jr., Sean Fine First Company Rigging Grip - Donald Selsor Second Company Rigging Grip - Jason Selsor Rigging Grips - James Alden, Jimmy Culligan, Chris Conahan, Anthony Erlandsen, William T. Jake Jones, Rex A. Worthy, Paul A. Riggio, Randy Smith Paint Supervisor - Clyde Zimmermans On-set Painter - Chris Zimmerman Property Master - Jerry Moss Assistant Property Masters - Drew Petrotta, Rick Chavez, Richard "Rocky" Nichols, Mike Hunter Prop Manufacturing Supervisor - Thomas R. Homsher Plaster Supervisor - Robert Wilbanks Plaster Forepersons - Dave Kilby, Michael Bucaro, Salvador Sanchez Lead Sculptor - Jamie Miller Sculptors - Dan Engle, Yann Denoual Mold Shop Supervisor - David Cohen Picture Cars/Fabrication - Joseph Kelley Padovich Construction Accountant - Yvonne Ramond Construction Assistant Accountant - Joe Beckwith Construction Coordinator - John W. Hoskins General Construction Foreperson - Robert Lambert Construction Forepersons - Clete Cetrone, Michael Bunch, Michael Burke, Jack Carroll, Richard D. Crain, Fred Deyoe, John Guliano, Stuart John, Mark Knapton, Dwight T. Lowell, Pat Ryan, Jerry "Sarge" Sargent Supervising Laborer Foreperson - Brian Rock Laborer Forepersons - Raymond Borton, Ron Brown, Lou Economides, Robert Kuzler, Anthony J. Martin, Ron Martinez, David Turner, William R. Wheaton, Jack Laspada Graphic Designers - Edward Newman Haigh II, Dianne Chadwick Illustrators - Nathan Schroeder, James M. Carson, Rodolfo Damaggio, Mauro Borrelli, Christopher S. Ross, Tim Flattery, Jim Martin Costume department Chief Costumer - Christine Cantella Costume Supervisor - Pam Wise Chief Set Costumer - Donna O'Neal Set Costumer - Brenda Donoho Costumers - Amy L. Arnold, Barry Kellogg, Linda Redmon, Jimmy Vay Mr. Carrey's Costumer - David Page Specialty Costume Manufacturers - Deborah Anne Ambrosino, Leticia D. Sandoval Specialty Costumers - Rob Phillips, Ivory Stanton, Doug Stewart Make-up, prosthetics and hair Department Head Make-up Artist - Valli O'Reilly Make-up Design for Jim Carrey - Bill Corso Make-up Artist for Cedric the Entertainer - Barbara Augustus Make-up Artists - Vivian Baker, Antonyia Verna Count Olaf Prosthetic Lab Work - Richard Alonzo, Russel Seifert, Clayton Martinez Special Make-up Effects - Kevin Yagher Key Hairstylists - Medusah, Linda Flowers Hair Designed for Mr. Carrey - Anne Morgan Ms. Streep's Hair and Make-up - J. Roy Helland Count Olaf wigs - Peter Owen Count Olaf Hair Pieces - Audrey Goetz Hairstylists - Nanxy Tong-Heater, Cammy Langer, Mary Jo Fortin Movement Stunt Co-ordinator - Doug Coleman Stunts - Pat Banta, Chase Coleman, Wendi Bromley, Karine Mauffrey, Julie Janney, Daniel W. Barringer, Joey Box, Keith Campbell, Darrell Graig Davis, Brian Duffy, Jimmy Hart, Scott Leva, Kurt Lott, Brian Machleit, Bob Marrocco, Chris Palermo, Allen Robinson, Katie Rowe Mr. Carrey's Personal Trainer - Gary Kobat Animal Co-ordinator - Jules Sylvester Animal Trainers - Dennis R. Grisco, Mark Jackson Puppeteers - Howard Berger, Michael Deak, Robert Derry, Alex Diaz, David Grasso, Nick Marra, Jake McKinnon Casting Casting Associate - Elizabeth Greenberg Voice Casting - Barbara Harris Extras Castings - Central Casting, Jennifer Bender, Mariann Lee, Carol Grant Casting General post-production staff Post-production Assistants - Adam Zunder, Jason Bierfeld 1st Assistant Editors - Sam Seig, Jason Gaudio, Patrick Crane Assistant Editor - Mark Gillard Assistant Avid Editors - Jamie Keeney, Steven Ramirez Assistant Film Editor - Paula Suhy Apprentice Film Editor - Ken O'Keefe Additional editing by - Dylan Tichenor Special and visual effects Visual Effects Producer - Tom Peitzman Visual Effects Supervisor - Stefen Fangmeier Visual Effects Co-ordinator - Chrostopher Raimo Special Effects Accountants - Eileen Dennis, Carole Humphreys Special Effects Supervisor - Michael Lantieri Shop Supervisor - Thomas Pahk Shop Forepersons - Cory Faucher, Scott R. Fisher Special Effects Technicians - Richard Cory, Donald R. Elliott, Rubel Garcia, Frankie Iudica, Jr., Louie Lantieri, Joe Love, Joel Mitchell, Ralph Peterson, Bryan Phillips, Michael Rifkin, Jim Rollins, Bob Slater, Steven Scott Wheatley, Robert Alidon, Kim Derry, Keith Haynes, William P. McGinley, Paul Sabourin, Brian Tipton Water Technician - Troy Waters ILM Animation Supervisor - Colin Brady ILM Visual Effects Producer - Jeff Olson Sound Maker Forepersons - Anthony Cope, Dale Wilmarth Model Maker - Jason Mahakian Sound Assistant Engineers - Tom Hardisty, John Rodd ADR Recordist - Carolyn Tapp Sound Effects Recordists - John Paul Fasal, Eric Potter Re-recordists - Robert Renga, Craig "Pup" Heath Re-recording Engineer - Denis St. Amand Sound Mixer - Pud Cusack, CAS Utility Sound Technician - Ross Levy Digital Audio Operator - Jesse Voccia Sound Designer/Supervising Sound Editor - Richard King 1st Assistant Sound Editors - Linda Yeaney, Andrew Bock Assistant Sound Editor - Josie Nericcio ADR Supervisor - Linda Folk ADR Mixer - Eric Gotthelf ADR Editor - Laura Graham Dialogue Editors - Michael Magill, Hugo Weng Sound Effects Editors - Michael W. Mitchell, Hamilton Sterling Foley Supervisor - Christopher Flick Foley Mixer - Randy K. Singer Foley Artists - Sarah Monat, Robin Harlan Music Editor - Bill Bernstein Assistant Music Editor - Mike Zainer Music Contractor - Leslie Morris Music Preparation - Julian Bratolyubov Re-recording Mixers - Andy Nelson, Anna Behlmer Not every person who worked on this movie was necessarily credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the film as released on home video, and does not relay information from IMDb or other sources. Production[] Development[] Nickelodeon Movies purchased the film rights of the entire A Series of Unfortunate Events book series in May 2000.[5] Paramount Pictures, owner of Nickelodeon Movies, agreed to co-finance, along with Scott Rudin.[6] Various filmmakers were interested in directing, among them Terry Gilliam and Roman Polanski. One of author Daniel Handler's favorites was Guy Maddin.[7] In June 2002, Barry Sonnenfeld was hired to direct. He was chosen based on his previous collaborations with Rudin and his black comedy directing style from The Addams Family 1991, Addams Family Values 1993 and Get Shorty 1995.[8] Sonnenfeld referred to the Lemony Snicket books as his favorite children's stories.[9] The director hired Handler to write the script almost instantly, and cast Jim Carrey as Count Olaf in September 2002.[10] Development setbacks ensued in December 2002. Rudin left Unfortunate Events over budget concerns, while Sonnenfeld and Carrey remained, but Sonnenfeld admitted he was skeptical of Paramount's $100 million budget. It was decided that changing the shoot from Hollywood to Wilmington, North Carolina would be less expensive.[9] The April 2003 start date was also pushed back.[11] Paramount eventually settled the situation in January 2003 by enlisting help from Dreamworks to co-finance the film, but Sonnenfeld vacated the director's position. Rudin and Sonnenfeld had no involvement with the film afterwards, but were credited as executive producers. Carrey remained with approval over the hiring of the next director.[12] "Very little of what I wrote is in the film, which I actually think is appropriate being as that I was writing it for Barry Sonnenfeld. It's a director's medium and Brad Siberling makes entirely different films from Barry Sonnenfeld. I wasn't filled with resentment because they didn't use it [my script], I was just disappointed because I'd worked a long time [on it] and Scott Rudin, Barry Sonnenfeld and I were all sort of ready to go, along with Jim Carrey, with the film that we had. So it was sort of a long, rocky, journey. But that's all [in the past]." — Series author Daniel Handler[7] Brad Silberling signed on to direct in February 2003.[13] Although he was unfamiliar with the concept before he was approached, the director quickly read the first three books and was excited that "Hollywood was taking a chance to put over $100 million to adapt these inventive children's books onto screen."[14] After writing eight drafts of the script for Sonnenfeld, Handler was replaced by Robert Gordon in May 2003.[7][15] Handler approved of the changes that were made from his original screenplay.[16] In addition, the author commented that he "was offered credit on the film for screenwriting by the Writers Guild of America, but I didn't take it because I didn't write it. I felt like it would be an insult to the guy who did."[7] Principal photography[] Filming was originally set to begin in October 2003 before it was pushed back.[13] Principal photography for Lemony Snicket's A Series of Unfortunate Events began on November 10, 2003, using the sound stages and backlot at Paramount Studios in Hollywood.[17] Director Brad Silberling attempted not to use as many digital or chroma key effects as possible because he wanted the younger actors to feel as if they were working in a realistic environment. Olaf's mansion occupied two sound stages, while the graveyard and the ruins of the Baudelaire mansion were constructed on the Paramount backlot. After 21 weeks of shooting at Paramount, production then moved to Downey Studios, a former NASA facility, for a further eight weeks.[18][19] Downey housed the circular railroad crossing set complete with forced perspective scenery, as well as a newly-constructed water tank complete with over one million gallons of water. The water tank was instrumental in filming scenes at Briny Beach, Lake Lachrymose, Domocles Dock and Curdled Cave.[18] Filming for A Series of Unfortunate Events ended on May 29, 2004.[20] Design[] Silberling, production designer Rick Heinrichs and costume designer Colleen Atwood all aimed for a "timeless" setting for the film, wanting to leave it ambiguous. Heinrichs also added in steampunk designs.[18] In addition to Heinrichs and Atwood, Silberling hired Emmanuel Lubezki as the cinematographer because he was impressed with the trio's work on Sleepy Hollow 1999.[21] Lubezki discussed the cinematic similarities to Sleepy Hollow, notably the monochromatic look of both films. He also choose a specific color palette backdrop for A Series of Unfortunate Events. "The story is very episodic, so we picked a different color scheme for each section. For example," Lubezki continued, "Count Olaf's house has a lot of greens, blacks and grays; the house of Uncle Monty has a lot of greens and browns and a bit of yellow; and the house of Aunt Josephine has blues and blacks."[21] Robert D. Yeoman was brought in as the cinematographer once Lubezki had to leave the production for his commitment to The New World 2005. Yeoman mostly worked on the expansive harbor set at Downey.[21] The art direction was inspired by The Night of the Hunter 1955, which also influenced Handler for the writing of his books.[14] Atwood commented that the Mr. Poe character was based on Edward Gorey paintings.[22] Visual effects[] Industrial Light & Magic ILM, supervised by Stefen Fangmeier, created the film's 505 visual effects shots.[21] The train and smoke for the railroad crossing scene was entirely created using computer animation. ILM also used color grading techniques for the Lake Lachrymose scene, which also required complete animation for the leeches. The digital animators studied footage of the 2003 Atlantic hurricane season to accurately depict Hurricane Herman, which was ILM's most ambitious use computer-generated imagery CGI for the film.[23] Nexus Productions designed the opening Littlest Elf animated sequence using computer animation, but modeled it after stop motion animation.[17] The snakes at Uncle Monty's house were a combination of real snakes and animatronics. The animatronics, primarily the Incredibly Deadly Viper, were used as reference models that ILM later enhanced using CGI.[18] Because of the dangers and difficulties that comes with babies doing stuntwork, four scenes involving Sunny Baudelaire required CGI with motion capture technology.[24] Among these are the shot of Sunny hanging on to a table by her teeth, catching a spindle with her mouth and the scene where she is entangled with the Incredibly Deadly Viper. Animation supervisor Colin Brady used his baby daughter for motion capture recording.[24] A remote controlled animatronic of Sunny was also designed by Kevin Yagher.[25] Marketing[] In October 2002, Nickelodeon Movies hired Activision to create the film's tie-in video game. The agreement also included options for sequels.[26] Director Brad Silberling delivered his first cut of the film in August 2004. Fearing his original version was "too dark", Paramount and DreamWorks conducted test screenings. It was then decided to re-edit A Series of Unfortunate Events over family-friendliness concerns. Given its December release, the film's marketing campaign was criticized for being a deliberately anti-holiday comedy with taglines like, "Taking the cheer out of Christmas" and "Mishaps. Misadventures. Mayhem. Oh Joy."[27] The premiere for Lemony Snicket's A Series of Unfortunate Events was held at the Cinerama Dome. A 20,000-square-foot tent display on Vine Street was decorated with pieces from the film's sets.[16] Story notes[] Release[] 2005 print ad for the DVD release. The film was released in the United States on December 17, 2004, in 3,620 theaters, earning $ million in its opening weekend.[28] In its run, A Series of Unfortunate Events faced competition from Meet the Fockers, The Aviator and Coach Carter.[29] The film eventually grossed $ million in US totals and $ million elsewhere, coming to a worldwide total of $ million.[28] It is the highest grossing film under the Nickelodeon Movies banner.[30] Paramount Home Video released the film on DVD in April 2005 in both single-disc and two-disc special collectors' edition format.[31][32] Critical reception[] Based on 151 reviews collected by Rotten Tomatoes, 71% of the critics enjoyed A Series of Unfortunate Events with an average score of The film was more balanced with 31 critics in Rotten Tomatoes' "Top Critics" poll, receiving a 58% approval rating on a score.[34] By comparison, Metacritic calculated an average score of 62/100, based on 37 reviews.[35] Robert K. Elder of the Chicago Tribune praised Rick Heinrichs' production design and Jim Carrey for having a balanced performance as a scene stealer. Elder called the film "exceptionally clever, hilariously gloomy and bitingly subversive."[36] Desson Thomson from The Washington Post reasoned over the characterization of Count Olaf. "Olaf is a humorless villain in the book. He's not amusing like Carrey at all. To which I would counter If you can't let Carrey be Carrey, put someone boring and less expensive in the role. In his various disguises he's rubbery, inventive and improvisationally inspired. I particularly liked his passing imitation of a dinosaur."[37] Ty Burr, writing in The Boston Globe observed that "Director Brad Silberling has essentially made a Tim Burton movie without the weird shafts of adolescent pain. At the same time, Silberling's not a hack like Chris Columbus, and Snicket has more zip and inspired filmcraft than the first two Harry Potter films. The film's no masterpiece, but at least you're in the hands of people who know what they're doing. The movie, like the books, flatters children's innate sense that the world is not a perfect place and that anyone who insists otherwise is trying to sell you something. How you deal with the cognitive dissonance of a $125 million Hollywood picture telling you this is up to you. At least there are no Lemony Snicket Happy Meal. Yet."[38] Internet reviewer James Berardinelli felt that "the film is first and foremost a fantasy, but there are dark currents running just beneath the surface. I give Silberling credit for not allowing them to swallow the film. Lemony Snicket's A Series of Unfortunate Events manages to remain witty throughout."[39] Roger Ebert gave a mixed review. "Jim Carrey is over the top as Count Olaf, but I suppose a character named Count Olaf is over the top by definition. I liked the film, but I'll tell you what. I think this one is a tune-up for the series, a trial run in which they figure out what works and what needs to be tweaked. The original Spider-Man 2001 was a disappointment, but the same team came back and made Spider-Man 2, the best superhero movie ever made."[40] Scott Foundas of Variety gave a negative review, criticizing the filmmakers for sacrificing the storyline in favor of visual elements such as set design and cinematography. "A Series of Unfortunate Events suggests what Marry Poppins 1964 might have looked like had Tim Burton directed it. Not surprisingly, Burton's longtime production designer Rick Heinrichs was responsible for the sets, while ace Emmanuel Lubezki Burton's Sleepy Hollow contributed the expressionistic lighting schemes."[41] Awards[] Make-up designers Valli O'Reilly and Bill Corso won the Academy Award for Best Makeup. Production designer Rick Heinrichs and set decorator Cheryl Carasik Art Direction, costume designer Colleen Atwood Costume Design and composer Thomas Newman Original Music Score were also nominated for their work at the 77th Academy Awards.[42] The film lost the Saturn Award for Best Fantasy Film to Spider-Man 2, but was honored for its DVD special edition release. O'Reilly and Corso were also nominated for the Saturn Award for Best Make-up, but lost to Hellboy.[43] Cancelled sequel[] Paramount Pictures and Nickelodeon Movies hoped the film would carry a vein similar to the Harry Potter film series.[8] Jim Carrey was attracted to the film because he found it to be a good recurring franchise character that would still allow him each time to dive into a new role.[14] "I don't have a deal [for a sequel], but it's one that I wouldn't mind doing again because there are so many characters," the actor explained in December 2004. "I mean, it's just so much fun. It's so much fun being a bad actor playing a character..."[4] In May 2005 producer Laurie MacDonald said "Lemony Snicket is still something Paramount is interested in pursuing and we're going to be talking with them more."[44] In an October 2008 interview, Daniel Handler said that "a sequel does seem to be in the works. Paramount has had quite a few corporate shakeups, widely documented in articles I find too stupefying to finish, which has led to many a delay. Of course many, many plans in Hollywood come to naught, but I'm assured that another film will be made. Someday. Perhaps."[45] In June 2009, Silberling confirmed he still talked about the project with Handler, and suggested the sequel be a stop motion film because the lead actors have grown too old. "In an odd way, the best thing you could do is actually have Lemony Snicket say to the audience, 'Okay, we pawned the first film off as a mere dramatization with actors. Now I'm afraid I'm going to have to show you the real thing.'"[46] In 2017, Netflix released its own version of A Series of Unfortunate Events, starting with the first season, which adapted the first four books of the series. Barry Sonnenfeld worked again with Daniel Handler on this one, having both been cut from the Paramount production, and worked on the vision they had had for this particular film. At the time the new series came out, Handler said the following about plans throughout the years for new movies Every so often I would get a call, and I would go down to Los Angeles, and I would sit in a room that would have some of the people who were involved in the film and some new people, and we would talk about things. I was commissioned to write a script a few years later, and it was always so serious. I would just come back, and then I would be in a room and there would be different people, and they'd have some new plan. I think there was always interest but, as you say, there were a lot of companies involved and whole phalanxes of lawyers who put it together the first time. I think that it was really kind of bureaucracy that prevented it before.[47] Paramount Television, a "child" company to Paramount Pictures, is currently involved with Netflix on the Netflix series, as one of its production companies. Deviations from the novels[] There are quite a few differences between the books and the film. Many of these involve some dark content being toned down, while others are related to time restrictions common to most book-to-movie conversions. Perhaps the biggest change in the film is the movement of The Marvelous Marriage. In the book, this scene takes place near the end of the The Bad Beginning. In the film, the wedding takes place at the end of the storyline of The Wide Window. According to the DVD commentary, this was changed to give the film a better climactic ending. However, in the book, the wedding was one of the main reasons for the removal of Count Olaf's guardianship of the children. Therefore, a small scene was added in the movie in which Olaf tries to kill the Baudelaires by stopping his car on the rail track at the Last Chance General Store's gas station, locking them inside, and waiting for the train to come. Mr. Poe arrives later and takes the orphans away from Olaf. Although expected, the clothes the Baudelaire children wear in the film are different than those worn in the books. In the film, Violet wears a violet and black dress and a gray rather than red hair ribbon, Klaus wears slacks and a blue sweater over a white dress shirt, and Sunny wears a green dress with pink stripes on the skirt. Another notable wardrobe change regards Klaus's glasses. In the film, Klaus does not wear glasses, except to read, but in the books, he cannot see without them. The eye tattoo that Count Olaf sports on his ankle is also considerably different from the one described in the book and drawn by Lemony Snicket in his autobiography. The tattoo in the books is formed out of the letters V, F, and D, but it is impossible to form these letters from the tattoo in the film. The film's version, however, is the same as Brett Helquist's early illustrations of Olaf's ankle in the books. The books contain many recurring themes, such as Libraries, but the film adds one of its own. The children discover that all of their relatives own spyglasses, and they acquire one themselves at the end of the film. The relevance of the spyglasses is unknown, but it could relate to all of the eyes the children seem to always find themselves surrounded by. Another notable change from the books is that, in the film, Count Olaf is shown to be responsible for starting the Baudelaire Fire, by pointing a giant, eye-shaped magnifying glass at the house. The only novel that has any proof that Olaf burned down the Baudelaire Mansion is The Slippery Slope, wherein Quigley Quagmire tells Carmelita Spats that Olaf will probably burn down their houses, and Klaus claims to have the proof for it. Olaf is a known arsonist, and the Baudelaires secretly believed him to be responsible for the cause of all their trouble, but when he was finally confronted in the books, Olaf neither confirmed nor denied it. The following is a list of specific scene changes in and omissions from the film. The Bad Beginning[] Violet's skipping stones at Briny Beach and inventing a way to retrieve them is omitted from the film, but included in the deleted scenes. In the film, the children go straight to the remains of their home after being picked up by Mr. Poe from Briny Beach, instead of going to Mr. Poe's Home. The childrens' stay at the Poe home is not shown in the film. Consequently, Polly Poe only makes an appearance during The Marvelous Marriage. Edgar and Albert Poe don't appear at all. In the book, after the children find out they must cook dinner for Olaf and his comrades, the orphans search for a cookbook in Justice Strauss's library, the take a trip to the market for ingredients. In the film, they don't even leave the house; instead, they search for something to cook, and do not find anything edible until they look in a cupboard contating many pieces of stale pasta. The Baudelaires' visit to Mr. Poe at Mulctuary Money Management is omitted from the film. Mr. Poe's phone call to Count Olaf is omitted. The Baudelaires' second visit to Justice Strauss's library is omitted in the film. As a result, the stealing of the book on nuptial law and Fernald's retrieval of the orphans are also omitted. Olaf's attempt to kill the orphans by parking his car on the railway near the Last Chance General Store did not occur in the book. During this scene in the film, though, Count Olaf can be seen holding a magazine, which he then lowers before he starts laughing. An ad for the Veritable French Diner can be seen on the back. In the book, Violet invents a grappling hook and climbs the tower to save Sunny on the night before Olaf's play. In the film, Klaus is the one who climbs the tower, without a grappling hook, while Violet takes part in the play. In the film, Olaf recognizes Violet writing with her left hand and tells her to use her right hand. Klaus later sets the marriage certificate on fire with the use of the eye-shaped magnifying glass in the tower. In the book, Olaf did not see her write with her left, voiding the marriage. Count Olaf is arrested at the end of the movie but he escapes in the deleted scenes. The Reptile Room[] In the film, Uncle Monty seems to have met Violet when she was a baby and to have known their parents. This is not true in the book. In the film, Uncle Monty states that they will be leaving for Peru the morning following their arrival, whereas, in the book, they were to leave in ten days. In the film, Uncle Monty states that he had a wife, children, and home but lost them all to a fire. In the book, he states that he always wanted a family but never got around to it. His home was destroyed by a fire after his death. The children's rooms are omitted from the film, although Violet is scene peeking out of what is presumed to be her room at night. The children assisting Uncle Monty in preparation for the trip to Peru is omitted from the film but is included on various home media as a deleted scene. In the book, Count Olaf is disguised as Stephano by wearing a long coat and a false beard, shaving his head, and covering his tattoo with powder. In the film, Count Olaf wears a yellow coat, glasses, and a false moustache. The trip to see Zombies in the Snow is omitted from the film. Uncle Monty ripping up Stephano's Prospero ticket is omitted from the film. The Mamba du Mal snake is completely omitted from the movie, and the Incredibly Deadly Viper is instead blamed for Uncle Monty's death. In the book, Klaus researches the Mamba du Mal snake to prove it did not kill Uncle Monty, while, in the film, Sunny plays with the Incredibly Deadly Viper to prove that it did not kill Uncle Monty. In the film, Bruce and the herpetological society do not appear to take away Uncle Monty's reptile collection. The Wide Window[] In the film, Aunt Josephine seems to have previously met Violet, as well as Beatrice and Bertrand, whereas in the book, she knows little to nothing of any of the Baudelaires. In the film, Mr. Poe does not come to get the children after hearing about Aunt Josephine's "suicide." Consequently, the scene with The Anxious Clown and Larry the Waiter, Mr. Poe's reading of Aunt Josephine's note, and the Baudelaires' allergic reaction to peppermints are also omitted. Captain Sham's Sail Boats and Sunny's stealing the keys from the Henchperson of Indeterminate Gender are omitted from the film. In the book, the children escape the house quicker than in the movie, where they are trapped on a board. In the book, Violet builds a refraction device to set fire to a sail as a signal for help. In the movie, however, she and Klaus call for help and wave their arms. In the film, Olaf leaves Aunt Josephine alone to fend for herself on a sinking boat. The book's ending, however, is far more sinister Olaf pushes Josephine into the water, and the torn remnants of her lifejacket are later discovered. Trailers[] Lemony Snicket's A Series of Unfortunate Events TrailerLemony Snicket's A series of Unfortunate Events - Trailer Trivia[] Although there are no official comics based on A Series of Unfortunate Events, this film was parodied by Mad magazine as the color comic feature "Limited Thickwit's A Series of Uneventful Misfortunes", in issue 452 April 2005. Links[] IMDB page These are some deleted scenes Sources[] ↑ Elder, Sean 5 Dec 2004. "A Victory for Terror the Good Kind." The New York Times. ↑ Otto, Jeff 12 Mar 2004. "An Interview with Jim Carrey." IGN. ↑ Jim Carrey and Brad Silberling. Building a Bad Actor, 2005, Paramount DVD. ↑ Otto, Jeff 15 Dec 2004. "Interview Jim Carrey." IGN. ↑ Hayes, Dade 10 May 2000. "Nickelodeon Movies nabs Snicket series." Variety. ↑ Bing, Jonathan 26 Feb 2002. "H'w'd stalks crime scribe." Variety. ↑ ↑ Fleming, Michael 11 Jun 2002. "Par on 'Snicket' ticket." Variety. ↑ Fleming, Michael 12 Dec 2002. "'Snicket' in thicket." Variety. ↑ Fleming, Michael 18 Sept 2002. "Jim's juiced for 'Lemony'." Variety. ↑ Fleming, Michael 13 Jul 2003. "Diaz sings 'Jane' refrain." Variety. ↑ Fleming, Michael 12 Jan 2003. "Helmer leaves 'Snicket' post." Variety. ↑ Fleming, Michael 19 Feb 2003. "Silberling joining 'Snicket' ticket." Variety. ↑ Otto, Jeff 22 Nov 2004. "Set Visit Lemony Snicket's A Series of Unfortunate Events." IGN. ↑ Fleming, Michael 7 May 2003. "Scribe brings new map to 'Snicket' thicket." Variety. ↑ Archerd, Army 13 Dec 2004. "Crystal king on B'way." Variety. ↑ Staff 10 Aug 2004. "Movie Preview Lemony Snicket's A Series of Unfortunate Events." Entertainment Weekly. ↑ A Woeful World, 2005, Paramount DVD. ↑ Graser, Marc 25 Jul 2004. "'Burbs blossom on H'w'd backlots." Variety. ↑ Fleming, Michael 13 Sept 2003. "Just ticket for 'Snicket'." Variety. ↑ Williams, David E. Dec 2004. "A Darker Side of Fantasy." American Cinematographer. ↑ Colleen Atwood, Timothy Spall, Costumes and Other Suspicious Disguises, 2005, Paramount DVD. ↑ Trains, Leeches & Hurricanes, 2005, Paramount DVD. ↑ An Even More Alarming Conspiracy Involving Sunny, 2005, Paramount DVD. ↑ An Alarming Conspiracy Involving Sunny, 2005, Paramount DVD. ↑ Bloom, David 29 Oct 2002. "A fortunate event for Handler." Variety. ↑ McNary, Dave 12 Dec 2004. "'Lemony'-fresh?." Variety. ↑ "Lemony Snicket's A Series of Unfortunate Events." Box Office Mojo. ↑ "The Top Movies, Weekend of January 14, 2005." The Numbers. ↑ "Nickelodeon Movies." Box Office Mojo. ↑ "Lemony Snicket's A Series of Unfortunate Events Widescreen Edition 2004." ↑ "Lemony Snicket's A Series of Unfortunate Events 2-Disc Special Collector's Edition 2004." ↑ "Lemony Snicket's A Series of Unfortunate Events." Rotten Tomatoes. ↑ "Lemony Snicket's A Series of Unfortunate Events Top Critics." Rotten Tomatoes. ↑ "Lemony Snicket's A Series of Unfortunate Events 2004 Reviews." Metacritic. ↑ Elder, Robert K. 15 Dec 2004. "Movie review 'Lemony Snicket's A Series of Unfortunate Events'." Chicago Tribune. ↑ Thomson, Desson 17 Dec 2004. "A Fortunate Series of Scenes." The Washington Post. ↑ Burr, Ty 17 Dec 2004. "Artful direction makes 'Snicket' a most fortunate event." The Boston Globe. ↑ Berardinelli, James. "Lemony Snicket's A Series of Unfortunate Events." ReelViews. ↑ Ebert, Roger 17 Dec 2004. "Lemony Snicket's A Series of Unfortunate Events." Chicago Sun-Times. ↑ Foundas, Scott 10 Dec 2004. "Lemony Snicket's A Series of Unfortunate Events." Variety. ↑ "1994 77 Academy Awards." Academy of Motion Picture Arts and Sciences. ↑ "Past Saturn Awards." Academy of Science Fiction, Fantasy & Horror Films. ↑ Otto, Jeff 25 May 2005. " Producers Talk Ring 3 and Snicket Sequel]." IGN. ↑ Scott, Ronnie Oct 2008. "An Interview With Daniel Handler." ↑ Ditzian, Eric 3 Jun 2009. "'Lemony Snicket' Director Brad Silberling Plans To Do Each Film In Different Medium." MTV News. ↑ Snetiker, Marc January 11, 2017. Lemony Snicket speaks out about Netflix's Series of Unfortunate Events. Entertainment Weekly. Retrieved on February 5, 2017.

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lemony snicket's a series of unfortunate events sub indo